![]() UGLY means equipment is rough, with multiple impressions in metal, excessive finish loss and brassing. Ugly The look only a photographer would love. Glass may have marks or blemishes, but should not affect picture quality. ![]() More than average wear for the age of the item, and may have dents, dings or finish loss. Bargain Priced to sell, the rating of the equipment is at 70 to 79 percent of original condition. Glass may have slight blemishes but will not affect picture quality. Shows moderate wear for the age of the item, with the possibility of dings or blemishes. Excellent The rating of the equipment is at 80 to 89 percent of original condition. Exceptionally nice, but may have slight wear on finish visible only under close inspection. Excellent Plus The rating of the equipment is at 90 to 96 percent of original condition. ![]() Perfect glass, but the box and accessories are usually not included. Only the closest inspections will reveal slight wear. Like New Minus The rating of the equipment is at 97 to 99 percent of original condition. Items include original box and instructions. Like New The rating of the equipment is at 99 to 100 percent of original condition. Not previously owned or used by a consumer. Compared to Fuji's LM designated lenses, such as the 18-55mm f/2.8-4 OIS, this 35mm f/1.4 is noticeably louder and clunkier.New As packaged by the manufacturer complete with manufacturer's USA warranty. However, unlike more modern lenses which feature silent autofocus motors, this Fuji lens has a very loud motor which recoils quite strongly, similar to the in-body autofocus motors that Nikon uses for their AF series lenses. Like all other Fujinon lenses, construction quality is top notch, with plenty of metal and a tight, well put together feel. Neither is ultimately better, it depends on your kind of shooting and your preference. However, for portrait and documentary shooters, it generates better bokeh and subject separation compared to the Zeiss. For landscape shooters, this is a strong negative, as those corners never get sharp even stopped down. This Fuji 35mm f/1.4 is very sharp in the centre (sharper than the Zeiss), but the sharpness falls of very nicely towards the edges and corners of the frame. ![]() The Zeiss lens is sharper, especially towards the corners, but in a mechanical way. Compared to the Zeiss 32mm f/1.8, the Fuji lens has much more character. Optically, this lens is excellent, as with most of Fuji's other lenses. For other reviews of Fujifilm X System gear, click here to see my complete list of Fujifilm gear reviews. With an angle of view equivalent to the classic 50mm, this is a perfect lens for street shooting and very naturally replicates the human eye.įor an overview of the Fujifilm X system, see my Fujifilm X System Guide. With its large f/1.4 maximum aperture, it's perfect for low light shooting and even though it's larger than the smallest Fujinon lenses, such as the 27mm f/2.8, it's still small enough to be a daily driver. It's compact, light and offers excellent image quality with both unique character and rendering. The Fujifilm Fujinon 35mm f/1.4 is a must-own lens if you're shooting with the Fujifilm X system.
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